1 00:00:02,711 --> 00:00:04,795 [eerie music] 2 00:00:04,879 --> 00:00:07,464 (male presenter, off) THERE IS A FIFTH DIMENSION 3 00:00:07,549 --> 00:00:10,175 BEYOND THAT WHICHIS KNOWN TO MAN. 4 00:00:10,260 --> 00:00:13,220 IT IS A DIMENSION AS VAST AS SPACE 5 00:00:13,304 --> 00:00:15,431 AND AS TIMELESS AS INFINITY. 6 00:00:15,515 --> 00:00:19,435 IT IS THE MIDDLE GROUND BETWEEN LIGHT AND SHADOW 7 00:00:19,519 --> 00:00:22,187 BETWEEN SCIENCE AND SUPERSTITION 8 00:00:22,272 --> 00:00:25,649 AND IT LIES BETWEEN THE PIT OF MAN'S FEARS 9 00:00:25,734 --> 00:00:27,818 AND THE SUMMIT OF HIS KNOWLEDGE. 10 00:00:27,902 --> 00:00:30,237 THIS IS THE DIMENSION OF IMAGINATION. 11 00:00:30,321 --> 00:00:34,324 IT IS AN AREA WHICH WE CALL THE TWILIGHT ZONE. 12 00:00:50,925 --> 00:00:56,805 TWO, THREE, FOUR. 13 00:00:56,890 --> 00:01:00,434 ONE, TWO, THREE. 14 00:01:00,518 --> 00:01:04,396 MRS. CHESTER, HAVE YOU EVER READ DAVID COPPERFIELD? 15 00:01:04,481 --> 00:01:05,773 HOW'S THAT? 16 00:01:05,857 --> 00:01:07,566 IT'S A WONDERFUL BOOK. 17 00:01:07,650 --> 00:01:10,027 THERE'S THIS POOR LITTLE FELLA AND HIS FATHER 18 00:01:10,111 --> 00:01:12,279 HAS PASSED AWAY AND HIS MOTHER HAS MARRIED 19 00:01:12,363 --> 00:01:14,364 THIS MISERABLE MAN CALLED MURDSTONE. 20 00:01:14,449 --> 00:01:17,493 ISN'T THAT A VILLAINOUS NAME? MURDSTONE. 21 00:01:17,577 --> 00:01:20,162 WELL, THIS MURDSTONE HAS A SISTER CALLED JANE-- 22 00:01:20,246 --> 00:01:22,206 MR. BEM IS, YOU SHORTCHANGED ME AGAIN. 23 00:01:22,290 --> 00:01:24,333 YOU OWE ME ONE MORE DOLLAR. 24 00:01:24,417 --> 00:01:26,210 SEE? THERE'S ONLY 24 HERE 25 00:01:26,252 --> 00:01:29,505 AND THERE SHOULD BE 25. 26 00:01:29,589 --> 00:01:32,091 OH, I'M TERRIBLY SORRY, MRS. MURD-- ER, UH-- 27 00:01:32,175 --> 00:01:33,425 MRS., UH, CHESTER. 28 00:01:33,510 --> 00:01:35,969 I THOUGHT THERE WAS FIVE ONES 29 00:01:36,054 --> 00:01:37,471 AND THERE'S ONLY FOUR. 30 00:01:37,555 --> 00:01:39,515 I THOUGHT I'D GIVEN YOU FIVE. 31 00:01:39,599 --> 00:01:43,102 I'M TERRIBLY SORRY. THEN THERE'S ANOTHER FUNNY CHARACTER, 32 00:01:43,186 --> 00:01:46,605 CALLED M ICAWBER, MR. M ICAWBER. 33 00:01:46,689 --> 00:01:49,316 AND HE'S ALWAYS BEING SENT TO DEBTOR'S PRISON. 34 00:01:49,400 --> 00:01:51,110 HM! 35 00:01:51,194 --> 00:01:53,821 THEN THERE'S ANOTHER CHARACTER CALLED PEGGOTY. 36 00:01:53,905 --> 00:01:56,532 THAT IS DAVID'S-- 37 00:01:56,616 --> 00:01:59,243 NURSE. 38 00:01:59,327 --> 00:02:02,412 [sighs] OH, WELL. [mumbIes] 39 00:02:13,091 --> 00:02:15,008 YES, SIR? 40 00:02:15,093 --> 00:02:17,553 I WONDER IF IMIGHT SEE YOU IN MY OFFICE, MR. BEM IS? 41 00:02:17,637 --> 00:02:20,347 WHY, CERTAINLY, MR. CARSVILLE. 42 00:02:20,431 --> 00:02:21,849 I DON'T SUPPOSE 43 00:02:21,933 --> 00:02:23,976 YOU'VE READ DAVID COPPERFIELD? 44 00:02:24,060 --> 00:02:25,352 NO, MR. BEM IS, I HAVE NOT. 45 00:02:25,436 --> 00:02:26,562 NOW IF YOU'D KINDLY 46 00:02:26,646 --> 00:02:28,981 ACCOMPANY ME. 47 00:02:29,065 --> 00:02:32,442 (male presenter, off) WITNESS MR. HENRY BEMIS, A CHARTER MEMBER 48 00:02:32,527 --> 00:02:34,111 IN THE FRATERNITY OF DREAMERS. 49 00:02:34,195 --> 00:02:35,737 A BOOKISH LITTLE MAN 50 00:02:35,822 --> 00:02:38,073 WHOSE PASSION IS THE PRINTED PAGE 51 00:02:38,158 --> 00:02:41,160 BUT WHO IS CONSPIRED AGAINST BY A BANK PRESIDENT AND A WIFE 52 00:02:41,244 --> 00:02:43,453 AND A WORLD FULL OF TONGUE-CLUCKERS 53 00:02:43,538 --> 00:02:46,957 AND THE UNRELENTING HANDS OF A CLOCK. BUT IN JUST A MOMENT 54 00:02:47,041 --> 00:02:49,793 MR. BEMIS WILL ENTER A WORLD WITHOUT BANK PRESIDENTS, 55 00:02:49,878 --> 00:02:52,337 OR WIVES, OR CLOCKS, OR ANYTHING ELSE. 56 00:02:52,422 --> 00:02:57,134 HE'LL HAVE A WORLD ALL TO HIMSELF, WITHOUT ANYONE. 57 00:03:04,100 --> 00:03:05,976 (President) NOW, MR. BEMIS 58 00:03:06,019 --> 00:03:07,728 I SHALL COME TO THE POINT. 59 00:03:07,812 --> 00:03:10,147 I SHALL ARRIVE VIA THE FOLLOWING ROUTE 60 00:03:10,231 --> 00:03:12,357 WHICHIS NAMELY, "WHAT CONSTITUTES 61 00:03:12,442 --> 00:03:15,152 AN EFFICIENT MEMBER OF THIS ORGANIZATION?" 62 00:03:15,236 --> 00:03:18,655 VIZ, A BANK TELLER WHO KNOWS HIS JOB AND PERFORMS IT. 63 00:03:18,740 --> 00:03:20,532 I.E., AN ORGANIZATION MAN 64 00:03:20,617 --> 00:03:22,951 WHO FUNCTIONS WITHIN AN ORGANIZATION. 65 00:03:23,036 --> 00:03:26,663 YOU, MR. BEM IS, DO NOT FUNCTION WITHIN THE ORGANIZATION. 66 00:03:26,748 --> 00:03:28,999 YOU ARE NEITHER AN EFFICIENT BANK TELLER 67 00:03:29,083 --> 00:03:30,709 NOR A PROFICIENT EMPLOYEE. 68 00:03:30,793 --> 00:03:34,630 YOU, MR. BEM IS, ARE A READER. 69 00:03:34,714 --> 00:03:36,048 A "READER"? 70 00:03:36,132 --> 00:03:37,591 A READER! 71 00:03:37,675 --> 00:03:39,551 A READER OF BOOKS, MAGAZINES 72 00:03:39,636 --> 00:03:41,178 PERIODICALS, NEWSPAPERS. 73 00:03:41,262 --> 00:03:43,263 I SEE YOU CONSTANTLY GOING DOWNSTAIRS 74 00:03:43,348 --> 00:03:45,474 INTO THE VAULT DURING YOUR LUNCH HOUR. 75 00:03:45,558 --> 00:03:47,517 ULTIMATUM, MR. BEM IS! 76 00:03:47,560 --> 00:03:49,937 YOU'LL HENCEFORTH DEVOTE YOUR TIME TO YOUR JOB 77 00:03:50,021 --> 00:03:52,689 AND FORGET READING, OR YOU'LL FIND YOURSELF OUTDOORS 78 00:03:52,774 --> 00:03:55,150 ON A PARK BENCH READING FROM MORNING TILL NIGHT 79 00:03:55,235 --> 00:03:56,652 FOR WANT OF HAVING A JOB. 80 00:03:56,736 --> 00:03:58,445 DO I MAKE MYSELF PERFECTLY CLEAR? 81 00:03:58,529 --> 00:04:00,864 THAT'S PERFECTLY CLEAR, SIR. IT'S JUST THAT, 82 00:04:00,907 --> 00:04:02,491 JUST THAT WHAT, BEM IS? 83 00:04:02,575 --> 00:04:04,534 MAKE IT QUICK AND GET BACK TO YOUR CAGE. 84 00:04:04,619 --> 00:04:09,581 IT'S JUST THAT MY WIFE WON'T LET ME READ AT HOME. 85 00:04:09,666 --> 00:04:12,626 SEE, WHEN I GET HOME AT NIGHT AND TRY TO PICK UP A NEWSPAPER 86 00:04:12,710 --> 00:04:14,586 SHE YANKS IT OUT OF MY HAND 87 00:04:14,671 --> 00:04:17,047 AND AFTER DINNER IF I TRY TO FIND 88 00:04:17,131 --> 00:04:18,840 A MAGAZINE, SHE HIDES THEM. 89 00:04:18,925 --> 00:04:21,635 WELL, I GOT SO DESPERATE THAT I FOUND MYSELF 90 00:04:21,719 --> 00:04:25,973 TRYING TO READ THE LABELS ON THE CONDIMENT BOTTLES ON THE TABLE. 91 00:04:26,057 --> 00:04:30,227 NOW, SHE WON'T EVEN LET ME USE THE CATSUP. 92 00:04:30,311 --> 00:04:35,482 UNASKED, I GIVE MY REACTION TO THIS. 93 00:04:35,566 --> 00:04:39,194 YOUR WIFE IS AN AMAZINGLY BRIGHT WOMAN. 94 00:04:39,279 --> 00:04:41,989 I REMEMBER LAST NOVEMBER YOU SPENT THE DAYS 95 00:04:42,073 --> 00:04:44,533 READING CAMPAIGN BUTTONS ON CUSTOMERS' LAPELS. 96 00:04:44,617 --> 00:04:47,327 YOU WILL RECALL THE LADY WHO TOOK EXCEPTION TO THIS 97 00:04:47,412 --> 00:04:49,371 AND TRIED TO HIT YOU WITH HER UMBRELLA. 98 00:04:49,455 --> 00:04:50,872 YES, I REMEMBER THAT. 99 00:04:50,957 --> 00:04:53,000 I NEVER GOT A CHANCE TO TELL HER 100 00:04:53,084 --> 00:04:58,839 THAT I WAS ONLY LOOKING TO SEE WHO SHE VOTED FOR. 101 00:04:58,923 --> 00:05:00,757 GOOD DAY, BEM IS. 102 00:05:12,186 --> 00:05:13,437 [cIears throat] 103 00:05:13,479 --> 00:05:14,980 [startIed gasp] 104 00:05:20,403 --> 00:05:22,779 (wife, shrill call) HENRY! 105 00:05:22,822 --> 00:05:25,657 HENRY! 106 00:05:25,742 --> 00:05:28,618 YES, DEAR? I'M IN THE LIVING ROOM! 107 00:05:35,126 --> 00:05:36,877 YOU WANT MORE COFFEE OR DON'T YOU? 108 00:05:36,961 --> 00:05:38,920 NO, THANK YOU, DEAR. 109 00:05:39,005 --> 00:05:41,298 BUT THEN WHY DON'T YOU TELL ME THAT, 110 00:05:41,382 --> 00:05:45,052 AND DON'T SNEAK OFF INTO THE LOVING ROOM TO BURY YOURSELF IN NEWSPRINT? 111 00:05:45,136 --> 00:05:47,637 I THINK WE'VE BEEN OVER THIS QUITE ENOUGH, HENRY. 112 00:05:47,722 --> 00:05:51,641 I WON'T TOLERATE A HUSBAND OF MINE SACRIFICING THE ART OF CONVERSATION. 113 00:05:51,726 --> 00:05:53,018 [chuckIes] 114 00:05:53,102 --> 00:05:55,145 ALL RIGHT. WHAT'S SO FUNNY? 115 00:05:55,188 --> 00:05:58,690 NO, NO, DEAR, IT'S JUST THAT YOU SAID "A HUSBAND OF M INE." 116 00:05:58,775 --> 00:06:01,902 HOW MANY HUSBANDS HAVE YOU GOT? YOU'VE ONLY GOT ME! 117 00:06:01,986 --> 00:06:06,406 I WOULD APPRECIATE THAT NOT BEING RUBBED IN! [beats newspaper] 118 00:06:06,491 --> 00:06:09,534 WE'RE PLAYING CARDS TONIGHT. I WANT YOU TO CHANGE YOUR SHIRT. 119 00:06:09,619 --> 00:06:11,787 WE'RE GOING OVER TO THE PHILLIPS' HOUSE. 120 00:06:11,871 --> 00:06:13,455 OH, DEAR. 121 00:06:13,539 --> 00:06:16,875 ALL RIGHT, HENRY. ANYTHING TO SAY? 122 00:06:16,959 --> 00:06:19,419 NO, DEAR, NOTHING TO SAY. 123 00:06:19,504 --> 00:06:21,922 WHAT TIME DO WE DO THAT? 124 00:06:22,006 --> 00:06:23,924 IN ABOUT 1 5 M INUTES. 125 00:06:24,008 --> 00:06:26,551 I'LL BE READY ON TIME. 126 00:06:26,636 --> 00:06:28,720 SEE THAT YOU ARE! 127 00:07:12,140 --> 00:07:13,473 [startIed] OH! 128 00:07:13,558 --> 00:07:14,933 HENRY? 129 00:07:15,017 --> 00:07:19,813 YES, MY DEAR? 130 00:07:19,897 --> 00:07:22,065 WHAT HAVE YOU GOT, HENRY? 131 00:07:22,150 --> 00:07:23,358 GOT? 132 00:07:23,443 --> 00:07:24,609 GOT! 133 00:07:24,694 --> 00:07:27,446 NOTHING, MY DEAR. 134 00:07:27,530 --> 00:07:28,613 WHAT'S THIS? 135 00:07:28,698 --> 00:07:29,739 WHAT, THAT? 136 00:07:29,824 --> 00:07:30,907 THIS! 137 00:07:30,950 --> 00:07:32,117 ISN'T THAT ODD? 138 00:07:32,201 --> 00:07:33,452 HOW DID THAT GET HERE? 139 00:07:33,536 --> 00:07:35,871 I CAN ONLY HAZARD A GUESS. 140 00:07:35,955 --> 00:07:38,790 "A BOOK OF MODERN POETRY." 141 00:07:38,875 --> 00:07:44,087 YOURS, HENRY? 142 00:07:44,172 --> 00:07:46,465 WOULD YOU LIKE TO READ ME SOME? 143 00:07:46,549 --> 00:07:48,258 READ YOU SOME? 144 00:07:48,342 --> 00:07:51,428 DO YOU MEAN READ YOU OUT LOUD OUT OF THE BOOK? 145 00:07:51,512 --> 00:07:52,596 DO YOU WANT TO? 146 00:07:52,680 --> 00:07:54,431 OH, I WOULD LOVE TO. 147 00:07:54,515 --> 00:07:57,976 YOU KNOW, THERE ARE SOME LOVELY THINGS IN HERE. 148 00:07:58,060 --> 00:08:01,146 THERE ARE ONE OR TWO THINGS FROM T.S. ELIOT 149 00:08:01,230 --> 00:08:05,734 AND EDNA ST. VINCENT M ILLAY, ROBERT FROST, CARL SANDBURG. 150 00:08:15,786 --> 00:08:17,787 HELEN. 151 00:08:20,458 --> 00:08:22,042 WHO DID THIS, HELEN? 152 00:08:22,126 --> 00:08:24,211 WHO DO YOU THINK DID IT, HENRY? 153 00:08:24,295 --> 00:08:26,713 YOU SHOULD THANK ME, REALLY. 154 00:08:26,797 --> 00:08:29,090 A GROWN MAN WHO READS SILLY 155 00:08:29,175 --> 00:08:31,134 RIDICULOUS, NONSENSICAL DOGGEREL. 156 00:08:31,219 --> 00:08:34,513 THIS ISN'T DOGGEREL! THERE'S SOME BEAUTIFUL THINGS HERE. 157 00:08:34,597 --> 00:08:36,223 I SAY IT'S DOGGEREL. 158 00:08:36,307 --> 00:08:39,184 AND I ALSO SAY IT'S A WASTE OF TIME. 159 00:08:39,268 --> 00:08:41,770 HELEN, HELEN, DON'T DO THAT! 160 00:08:41,854 --> 00:08:44,147 HELEN, PLEASE DON'T DO THAT! 161 00:08:50,112 --> 00:08:51,404 WHY, HELEN? 162 00:08:51,489 --> 00:08:53,323 WHY DO YOU DO THESE THINGS? 163 00:08:53,366 --> 00:08:55,325 BECAUSE I'M MARRIED TO A FOOL. 164 00:10:34,091 --> 00:10:35,175 [crash] 165 00:10:35,259 --> 00:10:36,926 [expIosion] 166 00:12:39,550 --> 00:12:41,551 (Carsville) I CAN ONLY TELL YOU 167 00:12:41,635 --> 00:12:44,179 THAT IN ADHERENCE TO DUTY, A CONSTANT REMEMBRANCE 168 00:12:44,263 --> 00:12:48,183 THAT A BANK, LIKE A POLITICAL OFFICE IS A PUBLIC TRUST. 169 00:12:48,267 --> 00:12:50,393 THESE THINGS ARE OF THE ESSENCE. 170 00:12:50,478 --> 00:12:53,021 THOSE THINGS ARE BASIC ABOVE ALL THINGS. 171 00:12:53,105 --> 00:12:55,190 JUST THE QUALITIES I'VE MENTIONED. 172 00:12:55,274 --> 00:12:58,359 MISS JACKSON, THAT'S MY SPEECH FOR THURSDAY NIGHT BANQUET. 173 00:12:58,444 --> 00:12:59,611 WOULD YOU TYPE THAT-- 174 00:12:59,695 --> 00:13:01,571 [expIosion] 175 00:14:00,047 --> 00:14:02,340 (presenter, off) SECONDS, MINUTES, HOURS, 176 00:14:02,424 --> 00:14:04,092 THEY CRAWL BY 177 00:14:04,176 --> 00:14:07,262 ON HANDS AND KNEES FOR MR. HENRY BEMIS 178 00:14:07,346 --> 00:14:10,682 WHO LOOKS FOR A SPARK IN THE ASHES OF A DEAD WORLD. 179 00:14:10,766 --> 00:14:12,767 A TELEPHONE CONNECTED TO NOTHINGNESS. 180 00:14:12,852 --> 00:14:14,477 A NEIGHBORHOOD BAR, A MOVIE 181 00:14:14,562 --> 00:14:16,980 A BASEBALL DIAMOND, A HARDWARE STORE 182 00:14:17,064 --> 00:14:21,776 THE MAILBOX OF WHAT WAS ONCE HIS HOUSE AND IS NOW A RUBBLE. 183 00:14:21,861 --> 00:14:23,778 THEY LIE AT HIS FEET 184 00:14:23,863 --> 00:14:27,240 AS BATTERED MONUMENTS TO WHAT WAS, BUT IS NO MORE. 185 00:14:27,324 --> 00:14:31,077 HELEN! 186 00:14:31,161 --> 00:14:37,917 WHERE ARE YOU?! 187 00:14:38,002 --> 00:14:41,379 (male presenter, off) MR. HENRY BEMIS, ON AN EIGHT-HOUR TOUR 188 00:14:41,463 --> 00:14:44,465 OF A GRAVEYARD. 189 00:14:58,689 --> 00:15:02,025 THEY'RE ALL DEAD. 190 00:15:02,109 --> 00:15:04,402 THEY MUST BE. 191 00:15:04,486 --> 00:15:07,363 EVERYBODY'S DEAD EXCEPT 192 00:15:07,448 --> 00:15:09,198 ME. 193 00:15:09,283 --> 00:15:12,285 I'M ALL RIGHT. 194 00:15:12,369 --> 00:15:14,913 WHY AM I ALL RIGHT? 195 00:15:14,997 --> 00:15:18,958 I WAS RIGHT THERE IN THE MIDDLE OF-- 196 00:15:19,043 --> 00:15:20,710 THE VAULT! 197 00:15:20,794 --> 00:15:24,756 I WAS DOWN IN THE VAULT. 198 00:15:24,840 --> 00:15:26,257 THAT'S WHY I'M ALIVE. 199 00:15:26,342 --> 00:15:30,887 I WENT DOWN IN THE-- 200 00:15:30,971 --> 00:15:34,891 THE THING OF IT IS, THOUGH, 201 00:15:34,975 --> 00:15:37,977 THE THING OF IT IS 202 00:15:38,062 --> 00:15:41,564 I'M NOT AT ALL SURE 203 00:15:41,649 --> 00:15:45,318 THAT I WANT TO BE ALIVE. 204 00:15:50,658 --> 00:15:53,493 WELL, I'M NOT GOING TO STARVE TO DEATH ANYWAY. 205 00:15:53,577 --> 00:15:55,328 LOTS OF FOOD. 206 00:15:55,412 --> 00:16:00,333 FOOD ENOUGH TO LAST FOR YEARS AND YEARS AND YEARS 207 00:16:00,417 --> 00:16:04,587 AND YEARS. 208 00:16:07,466 --> 00:16:09,759 ALL THE FOOD I CAN EAT. 209 00:16:09,843 --> 00:16:12,387 ALL THE FOOD 210 00:16:12,471 --> 00:16:22,397 AND MORE TOO. 211 00:16:22,481 --> 00:16:25,858 [humming] 212 00:16:34,451 --> 00:16:40,415 LET'S SEE, THE WORST PART, THE VERY WORST PART 213 00:16:40,499 --> 00:16:43,376 IS BEING ALONE. 214 00:16:43,460 --> 00:16:47,338 IS THIS HOW IT'S GOING TO BE 215 00:16:47,423 --> 00:16:50,049 SITTING AROUND DAY AFTER DAY 216 00:16:50,134 --> 00:16:52,260 EATING? 217 00:16:52,344 --> 00:16:54,470 SMOKING A CIGARETTE. 218 00:16:54,555 --> 00:16:58,766 READING THE SAME HALF OF A NEWSPAPER 219 00:16:58,851 --> 00:17:02,020 OVER AND OVER, 220 00:17:02,104 --> 00:17:05,815 AND OVER 221 00:17:05,899 --> 00:17:08,609 AND OVER AGAIN. 222 00:18:10,422 --> 00:18:12,381 [horn honking] 223 00:18:16,428 --> 00:18:18,638 [engine sputtering] 224 00:18:39,118 --> 00:18:41,577 IS SOMEONE THERE? 225 00:18:41,662 --> 00:18:44,038 PLEASE, SOMEONE! 226 00:18:44,123 --> 00:18:46,124 IS SOMEONE THERE? 227 00:18:46,208 --> 00:18:49,127 SOMEONE! 228 00:18:49,211 --> 00:18:52,130 NO. NO. NO. 229 00:18:52,214 --> 00:18:57,176 NO. NO, THAT DOESN'T MAKE ANY DIFFERENCE. 230 00:18:57,261 --> 00:19:00,972 NO, IT DOESN'T. IT DOESN'T MAKE A BIT OF DIFFERENCE. 231 00:19:01,056 --> 00:19:02,682 IT'S QUITE ALL RIGHT. 232 00:19:02,766 --> 00:19:05,143 THIS IS SOLITUDE. 233 00:19:05,227 --> 00:19:09,272 I'VE NEVER HAD MUCH SOLITUDE. 234 00:19:09,356 --> 00:19:14,944 I HAVE ENOUGH TO OCCUPY MY M IND AND MY TIME. 235 00:19:15,028 --> 00:19:18,197 I HAVE ENOUGH FOOD 236 00:19:18,282 --> 00:19:20,324 AND I'M REALLY VERY FORTUNATE. 237 00:19:20,409 --> 00:19:25,163 YES, I'M REALLY EXTREMELY FORTUNATE. 238 00:19:25,247 --> 00:19:28,207 HELP. HELP. HELP. 239 00:19:28,292 --> 00:19:31,002 SOMEONE, PLEASE! SOMEONE! 240 00:19:31,086 --> 00:19:33,045 PLEASE. PLEASE, SOMEONE! 241 00:19:33,130 --> 00:19:36,090 SOMEONE! PLEASE! 242 00:19:36,175 --> 00:19:37,341 SOMEONE, PLEASE! 243 00:19:37,426 --> 00:19:39,343 SOMEONE. 244 00:20:00,782 --> 00:20:02,909 [suspense music] 245 00:20:17,466 --> 00:20:22,220 IF IT JUST WEREN'T FORTHE LONELINESS. 246 00:20:22,304 --> 00:20:26,224 IF IT JUST WEREN'T FOR THE SAMENESS. 247 00:20:26,308 --> 00:20:32,188 IF THERE WERE JUST SOMETHING TO DO, DO, DO. 248 00:20:32,231 --> 00:20:35,733 OH, WELL, 249 00:20:35,817 --> 00:20:40,446 I'M SURE I'LL BE FORGIVEN FOR THIS-- 250 00:20:40,530 --> 00:20:43,157 THE WAY THINGS ARE. 251 00:20:43,242 --> 00:20:47,620 I KNOW I'LL BE FORGIVEN. 252 00:21:16,066 --> 00:21:20,695 COLLECTED WORKS OF DICKENS! 253 00:21:20,779 --> 00:21:25,992 COLLECTED WORKS OF GEORGE BERNARD SHAW! 254 00:21:26,076 --> 00:21:27,660 POEMS BY BROWNING! 255 00:21:27,744 --> 00:21:31,330 SHELLEY, KEATS. 256 00:21:31,415 --> 00:21:34,166 GREAT DRAMAS OF THE WORLD! 257 00:21:34,251 --> 00:21:35,751 BOOKS. BOOKS. 258 00:21:35,836 --> 00:21:37,878 ALL THE BOOKS I'LL NEED. 259 00:21:37,963 --> 00:21:39,338 ALL THE BOOKS 260 00:21:39,423 --> 00:21:41,590 ALL THE BOOKS I'LL EVER WANT. 261 00:21:41,675 --> 00:21:45,720 SHELLEY, SHAKESPEARE, SHAW, OH. 262 00:21:45,804 --> 00:21:48,180 ALL THE BOOKS I WANT. 263 00:21:48,265 --> 00:21:50,182 ALL THE BOOKS. 264 00:21:50,267 --> 00:21:51,434 AH. 265 00:21:51,476 --> 00:21:53,436 [sighs] 266 00:21:53,520 --> 00:21:55,688 JANUARY, 267 00:21:55,772 --> 00:21:57,773 FEBRUARY, MARCH, 268 00:21:57,858 --> 00:21:59,734 APRIL, 269 00:21:59,818 --> 00:22:01,694 MAY, 270 00:22:01,778 --> 00:22:04,196 THIS YEAR, 271 00:22:04,281 --> 00:22:06,532 THE NEXT YEAR, 272 00:22:06,616 --> 00:22:08,367 AND THE YEAR AFTER, 273 00:22:08,452 --> 00:22:11,203 AND THE YEAR AFTER THAT, 274 00:22:11,288 --> 00:22:14,540 AND THE YEAR AFTER THAT. 275 00:22:14,624 --> 00:22:16,250 AH. 276 00:22:27,679 --> 00:22:30,389 [chuckIes] 277 00:22:33,643 --> 00:22:36,228 OH. 278 00:22:36,313 --> 00:22:40,775 AND THE BEST THING, THE VERY BEST THING OF ALL. 279 00:22:40,859 --> 00:22:43,444 IS THERE'S TIME NOW. 280 00:22:43,528 --> 00:22:47,990 THERE'S ALL THE TIME I NEED AND ALL THE TIME I WANT. 281 00:22:48,075 --> 00:22:52,244 TIME, TIME, TIME. 282 00:22:52,329 --> 00:22:57,041 AH, THERE'S TIME ENOUGH AT LAST. 283 00:23:01,963 --> 00:23:03,297 [crash] 284 00:23:20,899 --> 00:23:23,109 THAT'S NOT FAIR. 285 00:23:23,193 --> 00:23:27,113 THAT'S NOT FAIR AT ALL. 286 00:23:27,197 --> 00:23:30,282 THERE WAS TIME NOW. 287 00:23:30,367 --> 00:23:34,286 THERE WAS, WAS ALL THE TIME I NEEDED. 288 00:23:34,371 --> 00:23:39,125 [sobbing] IT'S NOT FAIR. 289 00:23:39,209 --> 00:23:43,712 IT'S NOT FAIR. 290 00:23:43,755 --> 00:23:47,299 (male presenter, off) THE BEST LAID PLANS OF MICE AND MEN 291 00:23:47,384 --> 00:23:49,844 AND HENRY BEMIS 292 00:23:49,928 --> 00:23:54,306 THE SMALL MAN IN THE GLASSES WHO WANTED NOTHING BUT TIME. 293 00:23:54,391 --> 00:23:58,811 HENRY BEMIS, NOW JUST A PART OF A SMASHED LANDSCAPE 294 00:23:58,895 --> 00:24:01,313 JUST A PIECE OF THE RUBBLE 295 00:24:01,398 --> 00:24:06,318 JUST A FRAGMENT OF WHAT MAN HAS DEEDED TO HIMSELF. 296 00:24:06,403 --> 00:24:09,864 MR. HENRY BEMIS, IN THE TWILIGHT ZONE. 297 00:24:14,661 --> 00:24:18,038 (male presenter, off) ROD SERLING, THE CREATOR OF TWILIGHT ZONE, 298 00:24:18,123 --> 00:24:20,082 WILL TELL YOU ABOUT NEXT WEEK'S STORY 299 00:24:20,167 --> 00:24:22,877 AFTER THIS WORD FROM OUR ALTERNATE SPONSOR. 300 00:24:22,961 --> 00:24:25,212 (male presenter, off) AND NOW, MR. SERLING. 301 00:24:25,297 --> 00:24:28,799 NEXT WEEK WE ENLIST THE CONSIDERABLE LITERARY TALENTS 302 00:24:28,884 --> 00:24:31,260 OF CHARLES BEAUMONT AND INVITE YOU TO JOIN US 303 00:24:31,344 --> 00:24:33,596 IN A STRANGE AND SHOCKING DREAM. 304 00:24:33,638 --> 00:24:38,851 OUR STORY IS CALLED PERCHANCE TO DREAM AND STARS RICHARD CONTE. 305 00:24:38,935 --> 00:24:43,689 I HOPE YOU WILL BE ABLE TO JOIN NEXT WEEK'S EXCURSION INTO THE TWILIGHT ZONE. 306 00:24:43,773 --> 00:24:46,817 THANK YOU AND GOOD NIGHT. 307 00:25:29,236 --> 00:25:33,072 (male presenter, off) KIMBERLY CLARK INVITES YOU TO WATCH STEVE MCQUEEN 308 00:25:33,156 --> 00:25:35,574 INWANTED DEAD OR ALIVE 309 00:25:35,659 --> 00:25:38,536 SATURDAY NIGHTS OVER MOST OF THESE SAME STATIONS. 310 00:27:14,924 --> 00:27:18,427 (male presenter, off) TWILIGHT ZONE IS BEING BROUGHT TO YOU TONIGHT 311 00:27:18,511 --> 00:27:20,596 BY KIMBERLY CLARK 312 00:27:20,680 --> 00:27:23,098 WHOSE HANDY KLEENEX PAPER PRODUCTS 313 00:27:23,183 --> 00:27:26,769 HELP YOU EVERY DAY IN SO MANY WAYS. 314 00:27:31,107 --> 00:27:32,858 WHY A NEW KIND OF PAPER TOWEL? 315 00:27:32,942 --> 00:27:34,443 LET ME SHOW YOU. 316 00:27:34,527 --> 00:27:36,528 WE'LL COVER YOUR SCREEN WITH THIS FILM 317 00:27:36,613 --> 00:27:39,448 NOW LET'S SEE HOW AN ORDINARY TOWEL WORKS. 318 00:27:39,532 --> 00:27:42,785 SEE? IT LEAVES STREAKS BECAUSE IT DOESN'T SHAPE TO THE SURFACE. 319 00:27:42,869 --> 00:27:45,954 LOOK AT THE DIFFERENCE WITH A NEW KLEENEX TOWEL. 320 00:27:46,039 --> 00:27:48,540 KLEENEX TOWELS ARE BUILT LIKE A SPONGE. 321 00:27:48,625 --> 00:27:51,668 AND LIKE A SPONGE, THEY HAVE A SOFTNESS THAT SHAPES TO THE JOB. 322 00:27:51,753 --> 00:27:54,338 SO THE WHOLE TOWEL SURFACE IS ABSORBING. 323 00:27:54,422 --> 00:27:57,132 KLEENEX TOWELS HELP YOU IN SO MANY WAYS 324 00:27:57,175 --> 00:27:58,634 BECAUSE THEY'RE SO SOFT 325 00:27:58,718 --> 00:27:59,927 AND SO STRONG 326 00:27:59,969 --> 00:28:01,762 WET OR DRY 327 00:28:01,846 --> 00:28:04,014 TO HELP YOU SCOUR THE MOST STUBBORN STAINS 328 00:28:04,099 --> 00:28:07,518 AND ALUMINUM SCUFF MARKS FROM YOUR SINK. 329 00:28:07,602 --> 00:28:10,729 AND LOOK, EVEN WITH A HARSH CLEANSER 330 00:28:10,814 --> 00:28:14,900 THERE'S NO SHREDDING, NO BREAK THROUGH IN A KLEENEX TOWEL. 331 00:28:14,984 --> 00:28:17,736 WHEN YOUR SHOPPING SQUEEZE THE KLEENEX TOWEL PACKAGE 332 00:28:17,821 --> 00:28:20,989 YES, SQUEEZE IT, AND FEEL THE DIFFERENCE IN, 333 00:28:21,074 --> 00:28:23,867 (jingle) ? THE BIG SOFT TOWEL THAT'S BUILT LIKE A SPONGE 334 00:28:23,952 --> 00:28:26,537 HELPFUL KLEENEX TOWELS ? 335 00:28:26,621 --> 00:28:29,665 (female presenter, off) ANOTHER GOOD VALUE FROM KLEENEX. 336 00:28:43,847 --> 00:28:46,682 (jingle) ? SOFT, STRONG, POPS UP, TOO 337 00:28:46,724 --> 00:28:49,101 ? KLEENEX TISSUES ARE BEST FOR YOU 338 00:28:49,185 --> 00:28:51,895 ? HELPING ME TO WIPE UP QUICK 339 00:28:51,980 --> 00:28:54,857 ? HANDY KLEENEX DOES THE TRICK 340 00:28:54,899 --> 00:28:57,568 ? SOFT, STRONG, POPS UP, TOO 341 00:28:57,652 --> 00:29:00,446 KLEENEX TISSUES ARE BEST FOR YOU ? 342 00:29:00,530 --> 00:29:03,240 YOU KNOW, I FIND KLEENEX TISSUES SO USEFUL 343 00:29:03,324 --> 00:29:05,701 I KEEP A BOX IN EVERY ROOM OF MY HOUSE. 344 00:29:05,785 --> 00:29:07,953 IT'S A MUST IN OUR LIVING ROOM, OF COURSE. 345 00:29:08,037 --> 00:29:10,456 YOU KNOW HOW YOUNGSTERS WILL SPILL THINGS. 346 00:29:10,540 --> 00:29:13,333 AND WHAT CLEANS UP QUICKER THAN KLEENEX? 347 00:29:13,418 --> 00:29:16,378 WE FIND IT BEST FOR COLDS, TOO. 348 00:29:16,463 --> 00:29:19,298 IT'S SO WONDERFULLY STRONG AND ABSORBENT. 349 00:29:19,382 --> 00:29:21,341 NATURALLY, WE KEEP SOME HERE. 350 00:29:21,426 --> 00:29:25,012 THOSE PRETTY KLEENEX COLORS JUST MATCH OUR DECOR. 351 00:29:25,096 --> 00:29:27,347 AND OF COURSE, THE BEDROOM, TOO. 352 00:29:27,432 --> 00:29:30,767 THESE GENTLE TISSUES SUIT MY SKIN JUST PERFECTLY. 353 00:29:30,852 --> 00:29:33,187 THEY'RE SO SOFT AND SOOTHING. 354 00:29:33,271 --> 00:29:36,356 KLEENEX TISSUES IN THE POP UP BOX, 355 00:29:36,441 --> 00:29:39,776 THERE'S A COLOR FOR EVERY ROOM IN YOUR HOUSE.